To initiate the printing process we require a quality color transparency and the original if possible.  We then scan the transparency, or the original (size permitting max. 16 x 24"), on our high-resolution flat bed scanner to capture the detail in both the darks and the lights and to compensate for any cast in the image.

Once the scan is complete the image is sent to the proofing station where the density and color of the image are adjusted to closely match the original.  If the original is not available we will match to the transparency or other pictures supplied for reference.  This process is critical to the quality of the reproduction. The better the information we receive, such as an original for reference, or a better quality transparency or digital file, then the better results are attainable for the final product.

Alternatively, the artist may wish to modify colour, contrast, composition, or to adjust the original image to create a different visual impression from the original.  In this case we need this input at the beginning of the proofing process.  (Please book a time to ensure we have someone available to work on the image.)

The artist must specify the substrate to be used for the giclee prior to the proofing. We use the following substrates for our Epson Wide Format Printer:

Watercolor Papers (Sheets)
Arches cold press 170#  356 gsm
Somerset velvet 150#  330 gsm
Somerset satin 230#  500 gsm
Somerset textured 230#  500 gsm

Coated Paper
Ta’Lana Archival - Sheet
Epson Textured Fine Art Paper - Roll
Espon Smooth Fine Art Paper - Roll

Canvas Rolls
Bulldog Purple Dot
Epson Canvas

Once proofing is complete we send out 3 or 4 proofs along with a full resolution 6” wide strip of the proposed giclée to the artist for approval.  The artist then selects a proof, signs the back and returns it to us along with a print form.  When we receive the print form, we will clean the image and prepare it for printing. Once the printing is done, canvas images are laminated with a choice of a glossy or matte finish and then mounted onto stretcher bars as required.  The image is archived on 2 CD’s, one kept here for future orders, and another kept at a separate location.

From digital images the process may be slightly different. 
Assuming a clean image, the proofing and setup process will be limited to running the required proofs and sizing the image for printing. Please contact us for digital file requirements.

Depending on our workload at any given time, please allow 3 to 4 weeks from the start of the proofing process until the final prints are delivered.  We will need 7-10 days for the proofing, 7 days for the printing and coating, and a further few days for stretching canvas images.  Paper images can generally be produced quicker than canvas images, because no coating or stretching is required.  Rush jobs can be done at a premium, but please remember that quality reproductions take time, especially in the proofing stage.

When additional prints are needed, please contact us by phone, fax or email to request the desired number of additional sheets. We can usually produce your order within 7- 10 days for canvas giclees and 5 – 7 days for paper giclees.